I recently wrote an article on Bored Panda about the creation of two of my photoshoots, reusing some of the same elements and showing some of the process photos from the shoot. To check out the full article click here. I apologize for the SEO written title in advance ;)
Since some of you are already familiar with my work I will just be adding the photos and some brief descriptions!


I designed the backdrop to appear like a large head piece when Elena stood in front of it.

The same pinwheels were used in this photo shoot with hair stylist/ model Karly Vedan. The makeup artist (Ashley Skrocki) incorporated various design elements from the pieces into her work.
This string of paper flowers were all individually hand shaped, arrange, and glue together with a "rivet" on top.

Tiny flowers were added to the makeup and a paper flower shawl was made for this "scene."

A different view of the paper shawl with some pins I made to match.

On to some behind the scenes photos, taken with my cell phone, of part of the creation of the pieces the models wore.

The pinwheels before putting them together for the background.

Shaping and gluing together the paper flowers

The final paper pieces (the crown I ended up using for a different shoot)

The larger pinwheel with the hand shaped flowers in the centre.

The mask before it was dyed, painted and had all the beads, stones and feathers added.

We were invited to Nextfest to do a workshop based on our mask designs. There was not a budget to work with leather, so it became an opportunity to use one of my other favourite materials, paper, to come up with something new. Part of the night, fittingly called Masks for Monster, also featured a performance that included our masks.
Tanner had a market, so I had Ashley, whom many of you have met at the booth or at another event, help me set up the workshop at the Paint Spot in Edmonton. For this workshop, I cut out well over a thousand pieces of paper, which was over an hour and a half of laser time. Well over the budget just in laser costs, but I really wanted everyone to make a mask they would be happy with. I also figured I could use any leftover components for upcoming photoshoots. Much of the supplies we used for the decorations came from my personal stock of crafting supplies, and it was nice to see it being put to creative use.


This is one of the original mask designs I did for the workshop and I also chose this mask for the promotional photoshoot I did for the event. The feathers are the same feathers featured on my "Seraphim's Belt."

We set up a small display table with some of the items we created in leather and metal, as well as, some pictures from the shoots we do with our wearable items. The large wooden mask in the back was created by Borys Tarasenko.

Our pre cut out masks and the stencils I created for the workshop.


Some of the supplies I separated out into containers. I noticed the paper I used to cut out the attachments created interesting stencils so I brought a few along.
Table and chairs... We ran out of workspace very quickly and apologize to those that had to stand, sit on the floor and were unable to stay.

Some of the display paper masks I created for the event.

Event photo of part of the class room.
Some of the awesome masks created by the workshop attendees!

Boris Tarasenko and his giant wooden mask behind him.

One of my favourite painted masks from the night.

I love the colours and complexity of this one!

This one ended up having a historic feel.
Some close ups of paper masks I created for the event




After the workshop, we headed over to the Roxy Theatre, where we set up a smaller version of our mask working station for anyone who could not attend the workshop. The masked dance was scheduled for 11, and even though I am not an event photographer, I still wanted to capture a few shots of the choreographed dance.
I have an older full frame camera, so I used the highest ISO available, a shutter speed of 1/200 s, and a very low aperture since there was minimal ambient and performance lighting. I had only brought one lens with me, my 50 mm f 1.4 Sigma Art lens. There was some noise, which I cleaned up in Camera Raw and Photoshop, and I removed distractions that surrounded the dancers.
Cheorgraphed by Aimee Rushton
Male Dancer: Jason Romero
Female Dancer: Anastasia Maywood
Close up of the masks used for the dance

Some of the dance photos with one creative edit of Jason Romero




The article can be found here from "Plans and Presents."

Wedding cake topper I designed and made for this shoot. They are available by custom order. They feature two ravens and heart shaped leaves on branches.
I also made the paper dollie underneath the cake :)
Bouquet I made out of flowers from my flower hoard :D The cathedral style waist belt on the bride is also available by custom order.

Matching belt, choker and cuff. Accessorized with our earrings and necklace.

Guest book (our golden skull) and a nice view of our paper dollie.

Our gold skull book which can be view here.

Our top hat, neck piece and cane I made for the shoot :D
One of the barrettes I made for this shoot is also visible.


I found the cane head at a local hardware store, The actual cane part I sanded down a thick dowel and then hand stitched on a piece of studded black leather.

Models were Michael Beniot and Lynnsy Michelle
Breanne is a wedding and lifestyle photographer based in Edmonton, Alberta, Canada and you can find her website here.
You may recognize Breanne's other work from a couple of blogs I've posted before- here and here.
Below are some photos by Rick Halbert, please feel free to share them with a Facebook tag to his page on social media. :)















For those that want to see the exhibit we will be on display until until the beginning of April, with our featured spot light running the same time!! We did a nature meets mythology themed group of items including this Greenman mask journal with matching Greenman hair barrettes and a bur oak leaf hair clip. There are also tons of other new things we made just for this spotlight! ![]()


I will include the full story line and character descriptions at a later date :) For now here is a little bit about the show and some of our favourite pictures gathered together!
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Background:
When the lights can be seen dancing against the evening skyline, the time has come for the quest to begin. When the isle appears from the mists, the watery passageway is revealed. When the waters are silent and the day bleeds to dusk, her beckoning call can be heard.
All those courageous enough to take the voyage will face temptations and dangers, both beautiful and horrifying, as they seek the Queen of Life. It is said that anyone who unites with this mystical Queen is granted dominion over all living things. Many have travelled these silent waters, climbed the overgrown slopes of the isle, and wandered deep into the sprawling forest, but none have ever returned.
Those who travel without the purest intention will surely be lost to temptation and will never again see the welcoming shores of home. So long as the Queen remains sequestered within the aegis of the grand tree at the forest’s heart, pestilence, plague, and death shall encircle humanity. Only through the union of humanity and the pure life force will the darkness lift.
Randy


Greg Mottle Photography


Studio E Photography

#113, 13651, St Albert Trail, Unit 4, Edmonton, Alberta, Canada